Origins
01- Introduction
  The Dog
02- Part I
03- Part II
04- Part III
  The Monkey
05- Part I
06- Part II
07- Part III
08- Part IV
09- Part V
10- Part VI
11- Part VII 
  The Dragon
12- Part I
13- Part II
14- Part III
15- Part IV
16- Part V 
17- Part VI 
18- Part VII 
19- Part VIII 
  UR / Drexciya / D1
20- Part I
21- Part II
22- Part III
  Pangea
23- Part I
24- Part II
25- Part III
26- Part IV
27- Part V
28- Part VI
29- Part VII
30- Part VIII
31- Part IX
32- Part X
33- Part XI

08 - The Monkey IV

'Darklight, Digital Film Festival'

 

By 1998, the Chaplin film was complete and I was arranging its first screenings. There was a second batch of Chinese supr 8 mm, and then, following Triskill Design's first job in Osaka, Japanese Super 8 mm. This material was shaped into another video for 'Recount', a remix of a Rob Rowland track by Envoy, on D1 Recordings.

These videos started to get good circulation with the emergence of festivals like 'Darklight', which began in 1999, organized by 'Sink', digital media, based in Dublin.

In the second batch of Super 8 mm I switched the film stock that I used, using daylight film under neon night lights and using tungsten film under strong sunlight ( Shanghai in the summer ).

Some of the stock was also out of date, 10 years past its expiry date, so the resulting colours when processed were unpredictable but turned out to be very effective.

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  Alan Lambert 2009